Live-Evil / by Released November 17, 1971 Recorded February 6 and June 3–4, 1970, at in New York City; December 19, 1970 at in Washington, D.C.,, Length 101: 56 chronology (1971) 1971 Live Evil (1971) (1972) 1972 Live-Evil is an album of both and recordings by American musician. Parts of the album featured music from Davis' concert at in 1970, which producer subsequently edited and pieced together in the studio. They were performed as lengthy, dense in the style, while the studio recordings were renditions of compositions. Designfoil R6 44 Crackberry there. The album was originally released on November 17, 1971. Contents • • • • • • • • • • Background [ ] Along with from (edited in the studio), Live-Evil features Davis's studio recordings at 's Studio B, with different personnel, on February 6 and June 3–4, 1970. Though all compositions were originally credited to Miles Davis, the studio recordings 'Little Church' ( 'Igrejinha'), ' ( 'Not Even a Maybe') and 'Selim' are by composer and multi-instrumentalist, who also played with the Davis band on these tracks. 'Inamorata' means 'A Female Lover'.

[ ] A number of famous jazz musicians feature on the album, including and. One of the key musicians on the album,, was not a regular member of Miles Davis's band during the time of recording. Miles called McLaughlin at the last minute to join the band for the last of four nights they recorded live at the Cellar Door, as Miles was 'looking for an element he hadn't quite nailed down' on the previous nights.

Davis had originally intended the album to be a spiritual successor to, but this idea was abandoned when it became obvious that Live-Evil was 'something completely different'. Amit Ashish Surgery Pdf Books. Musician lineup on Cellar Door segments [ ]. Played soprano saxophone on 'Inamorata'. •: electric trumpet with •: soprano sax, alto sax •: electric guitar •: electric piano, electric organ •: electric bass •: drums •: percussion Cellar Door Segments, December 19, 1970: 'Sivad' (a blend of 'Directions,' a studio fragment of 'Honky Tonk,' and a live recording of 'Honky Tonk'), 'What I Say,' 'Funky Tonk' and 'Inamorata and Narration by Conrad Roberts'.

[ ] Cover artwork [ ] The album cover was illustrated by artist. Klarwein had painted the front cover independently of Davis, but the back cover was painted with a suggestion from Davis: 'I was doing the picture of the pregnant woman for the cover and the day I finished, Miles called me up and said, 'I want a picture of life on one side and evil on the other.' And all he mentioned was a toad. Then next to me was a copy of which had on the cover, and he just looked like a toad. I told Miles I found the toad.' Record club pressings of the album simply had the album title printed on a black cover. Free Download Program Blondie Parallel Lines Rapidshare on this page. Critical reception [ ] Professional ratings Retrospective reviews Review scores Source Rating A− A− 3/5 9.9/10 4/5 Live-Evil was released by in 1971 to critical acclaim.