If you are not familiar with the blues scale, the diagram below shows a common two octave fingering. Practice playing up and down the scale slowly to begin with, ensuring that each note has tone and clarity. Blues scale licks. The blues scale licks study is broken down into four bar segments below. A full PDF download of. In this free guitar lesson, learn how to combine jazz arpeggios with the bebop scale to make fluid jazz guitar lines.

Player was a leading performer and composer of the bebop era. He is pictured here with, and at the Three Deuces club in New York City. Stylistic origins • • Cultural origins Mid-1940s, United States Typical instruments • Clarinet • saxophone • trumpet • trombone • piano • double bass • drums • keyboards • electric guitars • acoustic guitars Derivative forms • • Subgenres • • Regional scenes United States Other topics • Bebop or bop is a style of developed in the early to mid-1940s in the United States, which features songs characterized by a fast tempo, complex with rapid chord changes and numerous, instrumental virtuosity, and based on a combination of, the use of scales and occasional references to the. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented style with a new 'musician's music' that was not as danceable and demanded close listening. As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation,,, chord substitutions, asymmetrical phrasing, and intricate melodies. Dcu 60 Usb Flash Driver.

Bebop groups used in a way that expanded their role. Whereas the key ensemble of the era was the of up to fourteen pieces playing in an ensemble-based style, the classic bebop group was a small combo that consisted of (alto or tenor),,,, and playing music in which the ensemble played a supportive role for soloists. Rather than play heavily arranged music, bebop musicians typically played the melody of a song (called the 'head') with the accompaniment of the rhythm section, followed by a section in which each of the performers improvised a solo, then returned to the melody at the end of the song. Some of the most influential bebop artists, who were typically composer-performers, are: players,, and; player; trumpeters,, and; pianists,, and;, and drummers,, and.

'In spite of the explanations of the origins of these words, players actually did sing the words 'bebop' and 'rebop' to an early bop phrase as shown in the following example.' () The term 'bebop' is derived from nonsense syllables (vocables) used in; the first known example of 'bebop' being used was in ' 'Four or Five Times', recorded in 1928.

It appears again in a 1936 recording of 'I'se a Muggin'. A variation, 'rebop', appears in several 1939 recordings. The first, known print appearance also occurred in 1939, but the term was little-used subsequently until applied to the music now associated with it in the mid-1940s. Some researchers speculate that it was a term used by because it sounded like something he hummed along with his playing. Stated that the audiences coined the name after hearing him scat the then-nameless tunes to his players and the press ultimately picked it up, using it as an official term: 'People, when they'd wanna ask for those numbers and didn't know the name, would ask for bebop.' Another theory is that it derives from the cry of 'Arriba!

Used by Latin American bandleaders of the period to encourage their bands. At times, the terms 'bebop' and 'rebop' were used interchangeably. By 1945, the use of 'bebop'/'rebop' as nonsense syllables was widespread in music, for instance 's '.