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This section does not any. Unsourced material may be challenged and. (July 2015) () is an American term for a theater that mainly showed exploitation films. It is thought to stem from the defunct theaters on 42nd Street, New York, where 'bump n' grind' dancing and striptease used to be on the bill. In the 1960s these theaters were put to new use as venues for exploitation films, a trend that continued strongly throughout the 1970s in New York City and other urban centers, mainly in North America, but began a long decline during the 1980s with the advent of home video. As the began to decline in the 1960s and 1970s, theater owners began to look for ways to bring in patrons.

One solution was to book exploitation films. Some producers from the 1950s to the 1980s made films directly for the drive-in market, and the commodity product needed for a weekly change led to another theory about the origin of the word: that the producers would 'grind' films out. Many of them were violent action films that some called 'drive-in' films. Subgenres [ ] Exploitation films may adopt the subject matter and styling of regular film genres, particularly and documentary films, and their themes are sometimes influenced by other so-called exploitative media, such as. They often blur the distinctions between genres by containing elements of two or more genres at a time.

Their subgenres are identifiable by the characteristics they use. For example, Doris Wishman's contains elements of both shock documentary and sexploitation. 1930s and 1940s cautionary films [ ] Although they featured lurid subject matter, exploitation films of the 1930s and 1940s evaded the strict censorship and scrutiny of the era by claiming to be educational. They were generally about the alleged dangers of premarital sexual intercourse and the use of recreational drugs. Examples include (1936), (1938), (1938), (1943), (1945), and (1949).

An exploitation film about homosexuality, (1937), is now believed lost. Biker films [ ]. See also: In 1953, starring Marlon Brando, was the first film about a motorcycle gang. A string of low-budget juvenile delinquent films featuring hot-rods and motorcycles followed in the 1950s. The success of American International Pictures' in 1966 ignited a more robust trend that continued into the early 1970s. Other biker films include (1965), (1967), (1967), (1968), (1969), (1969), (1969), (1969), (1970), and (1970).

(1974) and (1979) combine elements of this subgenre with Ozploitation. Blaxploitation [ ]. Main article: Black exploitation films, or 'blaxploitation' films, are made with black actors, ostensibly for black audiences, often in a stereotypically African American urban milieu.

A prominent theme was African Americans overcoming hostile authority (') through cunning and violence. What Up 4 Non Blondes Mp3 Download more. The first example of this subgenre was Melvin Van Peebles', and others are, Black Devil Doll,,,,,,,,,,,,,,,,,, and. The 1973 Bond film uses blaxploitation themes, and Quentin Tarantino's and Scott Sanders' are modern homages to this genre.